SELECTED PUBLICATIONS:

2021: D'Arcy Wentworth Thompson's Generative Influences in Art, Design, and Architecture: From Forces to Forms (New York and London:Bloomsbury Press, March 2021), ISBN 9781350191136

2020: “Nature: New Contexts, New Art by Women,” Woman's Art Journal, fall/winter 2020, 41:2, 3-16

2019: Book and exhibition review of Dimensionism: Click here to download PDF and click here to visit review on-line
(https://www.leonardo.info/review/2018/12/review-of-dimensionism-modern-art-in-the-age-of-einstein).

2018: “Enraptured: Attention and Art,” Perception and Agency in Shared Spaces of Contemporary Art, C. Albu and D. Schuld (eds.), Abington, UK: Routledge Press, 171-184

2016: “Bio-Art and Conditions for Emergence,” Bio-Art: a Critical Anthology of Texts, A. Kaniari (ed.), Athens: Grigori Publishers

2015: “Imaging the Norm,” Transdiscourse 2, J. Scott (ed.) (Berlin: Walter de Gruyter GmbH), 59-75

2014: “Sleuthing the Mind,” in Leonardo Journal, 47:5, 427-435

2013: “Neuroscience and the Arts Today,” in PAJ, 35:3, 8-23; click to download PDF and click here to visit the PAJ home page

2013: “Contemporary Art and the Aesthetics of Natural Selection,” in B. Larson, S. Flach (eds.), Darwin and Theories of Aesthetics and Cultural History (Aldershot, UK: Ashgate Press), 145-165

2012: “Visual Culture and Evolution, an Online Symposium,” participant, National Academy of Sciences, Washington, DC

2012: “An Artistic Exploration of Inattention Blindness,” Frontiers of Human Neuroscience, 5; click to download PDF

2011: “Priorities, Constraints, and Attention,” in M. Shor, S. Bee (eds.), M/E/A/N/I/N/G: An Anthology of Artists' Writings, Theory, and Criticism, 25th ed; click for Amazon link

2010: “Culture and D’Arcy Thompson,” editorial Leonardo, 43: 5

2010: “Designing the Art of Attention” in Technoetic Arts: A Journal of Speculative Research, 8: 1, 93-99

2010: “Classifying Kubler” (Winter 2010 issue Art Journal, 68:4, 88-99)

2006: “Art Enters the Biotechnology Debate: Questions of Ethics,” in Ethics and the Visual Arts (NY: Allworth Press)

2006: “The Evolution of Art in the Age of Biotechnology: Cyborgs Meet Chimeras,” in Can we Fall in Love With a Machine, Philadelphia: Wood Street Studios

2005: “l'art et l'industrie biotechnologique,” in Art et Biotechnologies, Montreal: Presses de l'Université du Québec

2004: “Art and the Human Brain: The Importance of Art on Roger Shepard's Studies of Mental Rotation,” Journal of the History of Neuroscience

2003: “Complexity,” Leonardo

2003: “Initial Conditions to Final Results in the Complex Systems of Art and Science,” InterJournal

2001: “Responses: Art and Biotechnology,” Art Journal

1996: “Contemporary Art and the Genetic Code,”spring issue Art Journal (55:1), guest editor (with B. Sichel), text by S. J. Gould, R. Hoffmann, R. Root-Bernstein, M.  Kemp, and D. Nelkin; click for table of contents

1989: Guest editor, two issues on photography and science of The Center Quarterly (published by the Center for Photography at Woodstock, NY)